Most of what I do day-to-day involves algebraic manipulation, which is a glorified way of saying shuffling symbols round till they say what you want them to. Everyone who's remotely numerate knows that you can rearrange sums with finitely many terms any way you want:
1+2+3 = 2+1+3 = 1+3+2 = 2+3+1 = 3+1+2 = 3+1+2.
I knew that problems could occur if you tried to do the same with sums with infinitely many terms, but until last week I didn't realise how badly wrong things could go.
Riemann's Series Theorem states that (under certain conditions) you can rearrange the terms in an infinite sum so that, not only does the value of the sum change, but if you rearrange the terms carefully enough you can make it have any value you like. It's one of those counter-intuitive results that that show you how different the infinite is to the familiar realm of the finite, and how careful you need to be with your manipulations if you don't want to risk changing or destroying meaning.
"When I was little, I didn't realise that you could change a few sounds in a name or a phrase and have it mean something entirely different... Meaning, if it existed at all, was unstable and could not survive the slightest reshuffling of letters. One gust of wind and Santa became Satan. A slip of the pen and pears became pearls. A little interior decorating and
the world became
her twold an ungrammatical and unkind assessment of an aging aunt in a singles bar... When you wanted someone to say "I love you" approximate assemblages -
igloo, eyelid glue, isle of ewe - however lovely, didn't quite make it."
Lorrie Moore,
Anagrams pp129-130.
In
this interview Daniel Handler mentions how much he's borrowed from Lorrie Moore. I finished
Anagrams late last night, and I saw a lot Handler had stolen. I think I like Lorrie Moore for the same kinds of reasons as I love Handler. They've both got a similar sense of humour, mostly based around playing with words, though the humour in
Anagrams is bitterer than most of Handler's and less likely to make me laugh out loud, but I think her writing in general is less likely to be described as "language playing so ardently with itself that it goes blind".
Anagrams is an odd novel (I think it's a novel) and I'm not quite sure what I think of it, but thought I should mention it to any Handler fans reading this. Oh, and I imagine that he's been sighted in a Lorrie Moore's
Paper Losses would be of interest.